An academic reader bridging the disciplines of aesthetics and film studies by focusing on cinematic sublimity. Original essays by contemporary film scholars and philosophers with topics and case studies ranging from early cinema and classical Hollywood to avant-garde film and contemporary digital cinema.
This book offers a comprehensive overview of the current European media in a period of disruptive transformation. It maps the full scope of contemporary media policy and industry activities while also assessing the impact of new technologies and radical changes in distribution and consumption on media practices, organizations and strategies.
This collection explores queer craft and the material cultures of LGBTQ+ activism in Britain since the 1980s. It includes contributions from academics, artists, activists, curators, and heritage professionals. The first book of its kind, it weaves together an important web connecting queerness, craft and activism in Britain. 41 colour photographs
Focuses on ethical issues confronting Western theatrical dance, from treatment of dancers to choreography, dance criticism, presenting and paradigm shifts in the dance field. It aims to equip dance artists with alternative frameworks and ethical decision-making skills for different stages of their careers and with dignity and respect.
A collection of articles selected from the Journal of Beijing Dance Academy, translated here for an English-speaking audience. Beijing Dance Academy is a full-time institution of higher learning with commitment to developing excellent professional dancers, choreographers and dance researchers. Part of the Intellect China Library series.
Presenting a rich mosaic of embodied contemporary narratives in spirituality and movement studies, this book explicitly studies the relationship between spirituality and the field of Somatic Movement Dance Education. It is the first scholarly text to focus on contemporary spirituality within the domain of dance and somatic movement studies.
Downtown Film and TV Culture, 1975-2001 brings together essays by filmmakers, exhibitors, cultural critics and scholars from multiple generations of the New York Downtown scene to illuminate individual films and filmmakers and explore the impact of the historic downtown scene on contemporary culture.