Critically examines the new destructive projects of resentment that have surfaced in the political spaces opened by neoliberalism's failures, particularly since the financial collapse of 2008. It contextualises the recent history of the Global North - notably Brexit and the Trump election - among wider comparative politics.

Focuses on the slavery writings of three of Brazil's literary giants - Machado de Assis, Castro Alves, and Euclides da Cunha. Wood finds that all three writers responded to the memory of slavery in ways that departed from their counterparts in Europe and North America, where emancipation has typically been depicted as a moment of closure.

This field-defining collection of new voices on gender, feminism, and geography offers a call to action - to expand imaginations and to read and travel more widely and carefully through terrains that have been cast as niche, including Indigenous and decolonial feminisms, Black geographies, and trans geographies.

Told through alternating perspectives, God of River Mud chronicles the lives of Berna Minor, her husband, their four children, and Berna’s secret lover. The novel delves into the quandary of those marginalized and dehumanized within a religious patriarchy and grapples with the universal issues of identity, faith, love, and belonging.

Offers an intimate remembrance of kinship and community in eastern Kentucky's coal towns written by one of the luminaries of Appalachian studies, William Turner. Turner reconstructs Black life in the company towns in and around Harlan County during coal's final postwar boom years.

From the author of This Is One Way to Dance, linked genre-queer short stories braided with images and ephemera explore the experiences of growing up and living as a diasporic Gujarati woman searching for home.