This collection of essays evaluates Agamben's work from a postcolonial perspective. Svirsky and Bignall assemble leading figures to explore the rich philosophical linkages and the political concerns shared by Agamben and postcolonial theory.
Examining aesthetic criticism, popular literature, avant-garde art, cinema, and political theory, Patrick Noonan argues that cultural producers in 1960s Japan cultivated what he calls an “ethos of disaffection” toward revolutionary politics and postwar society.
Examining aesthetic criticism, popular literature, avant-garde art, cinema, and political theory, Patrick Noonan argues that cultural producers in 1960s Japan cultivated what he calls an “ethos of disaffection” toward revolutionary politics and postwar society.