Attempts to do for the sound-track what feminist film theory has done for the image-track - to locate the points at which it is productive of sexual difference. This work focuses on the female voice understood not merely as spoken dialogue, narration, and commentary, but as a fantasmatic projection, and as a metaphor for authorship.
Provides an account of the history and status of African cinema. Drawing on history, political science, economics, and cultural studies, this book discusses such issues as film production and distribution, and film aesthetics from the colonial period to the modern day.
African Cinema and Human Rights is an interdisciplinary look at the role of moving images in human rights struggles through the lens of African cinema.
Presents the lives and experiences of women traders in Kumasi. This book shows that market women are intimately connected with economic policy on a global scale.