Afro-Caribbean Women's Writing and Early American Literature is both pedagogical and critical. The text begins by re-evaluating the poetry of Wheatley for its political commentary, demonstrates how Hurston bridges several literary genres and geographies, and introduces Black women writers of the Caribbean to some American audiences.

As a philosophical, literary, and visual aesthetic, Afrofuturism has been predominately defined through Anglophone, diasporic expressions. In Afrofuturisms Isaac Vincent Joslin reorients and expands this critical discourse toward colonial and postcolonial Francophone literature and film originating from continental Africa.

As a philosophical, literary, and visual aesthetic, Afrofuturism has been predominately defined through Anglophone, diasporic expressions. In Afrofuturisms Isaac Vincent Joslin reorients and expands this critical discourse toward colonial and postcolonial Francophone literature and film originating from continental Africa.

Nigeria is a country shaped by internal diversity and transnational connections, past and present. Leading Nigerian writers have portrayed these Nigerian Issues, and have also written about some of the momentous events in Nigerian history. Afropolitan Horizons discusses their work alongside other novelists and commentators.

Examining the surrealist novels of several contemporary writers, AfroSurrealism argues that we have entered a new and exciting era of the black novel, one that is more invested than ever before in the cross-sections of science, technology, history, folklore, and myth.

From Agatha Christie and Patricia Highsmith to Val McDermid and JK Rowling, After Agatha is an indispensable guide to women's crime writing over the last century and an exploration of why women read crime...

A magisterial survey of the ways in which postwar Irish writers have witnessed the frustration of the promise of Irish independence.

In "after modernism" the meanings of "after" include periodisation, homage and critique. This book attends to neglected genealogies and intertexts-"high" and "low"-yet offering unacknowledged ontological, epistemological, conceptual and figurative resources.

Explores one of the major issues in Holocaust studies - the intersection of memory and ethics in artistic expression, particularly within literature. This work examines the shifting cultural contexts for Holocaust representation and reveals how writers articulate the shadowy borderline between fact and fiction, and between event and expression.