The late 1960s have witnessed the growth of subject areas outside the traditional liberal arts curriculum and disciplinary structure of the university curriculum. This text examines the emergence of "cultural studies" within the university and implications for a new disciplinary economy.
The Afterlife of the Shoah in Central and Eastern European Cultures is a collection of essays by literary scholars from Germany and Central Eastern Europe offering insight into the specific ways of representing the Shoah and its aftereffects as well as its entanglement with other catastrophic events in the region.
Inspired by Roland Barthes's practice of "semioclasm" in Mythologies, this book offers a "technoclasm"; a cultural critique of US narratives, discourses, images, and objects that have transformed the politics of automation into statements of fact about the "rise of the robots".
This book explores death in contemporary society, unfolding the notion of 'spectacular death' through studies that consider the new mediation or mediatisation of death and dying, the commercialisation of death as a commodity, the re-ritualisation of death, the palliative care revolution and the academic specialisation surrounding death.
R. Douglas Hurt recounts the settlement of the U.S. Midwest between 1815 and the turn of the twentieth century, arguing that this region proved to be the country's garden spot of the country and the nation's heart of agricultural production.