In Life and Death on the New York Dance Floor Tim Lawrence examines the city's party, dance, music, and art culture between 1980 and 1983, tracing the rise, apex, and fall of this inventive, vibrant, and tumultuous scene.

Fighting fires and assumptions, Kate Fullen's memoir is an eye-opening glimpse into the often overlooked members of the brigade.

In this funny, poignant and unflinchingly honest memoir, one of the world's best-loved storytellers explains how he evolved from a conservative son of the Old South into a gay rights pioneer whose novels inspired millions to claim their own lives.

Argues that we can't understand contemporary queer cultures without looking through the lens of social class

Presents an account of gays in Cuba. This book links the treatment of male homosexuality under Castro with prejudices and preconceptions prevalent in Cuban society before the Revolution. It locates the issues surrounding homosexual identity within the broad context of Cuban culture, history, and social policy.

How do bi+ people navigate identity, gender, and relationships in a biphobic society? This book explores this question to show how to better include and incorporate bi+ people in research, policy, and the everyday.

This vibrant collection of essays reveals the intimate politics of how people with a wide range of relationships to war identify with, and against, the military and its gendered and racialised norms.

Originally written in 1998, this book remains a key resource for women in heterosexual marriages who discover, or are coming to terms with, their lesbianism or bisexuality. This classic edition includes a foreword from Ann Northrop that reflects on changes in language, intersectionality, and understandings of gender since first publication.

Maurice (1987), a British film based on the novel by E.M. Forster, follows an Edwardian man's journey to self-acceptance as someone who loves and desires men. Rebutting its critical reception, this volume champions the film as a sympathetic adaptation, making a case for its underappreciated positive depiction of gay love.